Per Streamingdienst Hulu ging die Geschichte in Serie. „The Handmaid's Tale“ katapultiert den Zuschauer in eine dystopische Welt, in der eine Gruppe. Per Streamingdienst Hulu ging die Geschichte in Serie. „The Handmaid's Tale“ katapultiert den Zuschauer in eine dystopische Welt, in der eine Gruppe. The Handmaid's Tale - Der Report der Magd jetzt legal online anschauen. Die Serie ist aktuell bei Amazon, Joyn, iTunes, Google Play, Microsoft, MagentaTV.
Handmaid's Tale: Der Report der Magd EpisodenguideDas Serienhighlight des Jahres. Die Erfolgsserie „The Handmaid's Tale – Der Report der Magd“ startete auf TELE 5 voll durch: Zum ersten Mal gab es Staffel 2. The Handmaid's Tale ist eine US-amerikanische Dramaserie aus dem Hause Hulu, die auf Margaret Atwoods gleichnamigem Roman basiert, der hierzulande. The Handmaid's Tale - Der Report der Magd jetzt legal online anschauen. Die Serie ist aktuell bei Amazon, Joyn, iTunes, Google Play, Microsoft, MagentaTV.
The HandmaidS Tale Serie Navigation menu VideoThe Handmaid's Tale: Season 4 - HD Teaser - A Hulu Original The Handmaid's Tale EMMY® WINNING A woman forced into sexual servitude struggles to survive in a terrifying, totalitarian society. Starring: Elisabeth Moss Joseph Fiennes Yvonne Strahovski Samira Wiley Alexis Bledel. Series Description: Set in a future dystopian society where women have lost most of their rights, the series follows the life of Offred, a Handmaid in the Republic of Gilead. Books in Series. 1. The Handmaid's Tale by Margaret Atwood. The Handmaid's Tale Season 1 (2,) IMDb X-Ray 18+ The Handmaid’s Tale starring Elisabeth Moss and based on Margaret Atwood’s classic novel about life in the dystopia of Gilead, a totalitarian society in what was formerly part of the United States. The Handmaid's Tale (Brasil: O Conto da Aia /Portugal: A Serva) é uma série de televisão estadunidense criada por Bruce Miller, baseado no romance homônimo de da escritora canadense Margaret Atwood sobre a distopia de Gileade,  encomendada pelo serviço de streaming Hulu, para produção de 10 episódios, com produção no final de Series Description: Set in a future dystopian society where women have lost most of their rights, the series follows the life of Offred, a Handmaid in the Republic of Gilead. Books in Series. 1. The Handmaid's Tale by Margaret Atwood.
Offred unexpectedly encounters Moira there, with her will broken, and she learns that those who are found breaking the law are sent to the Colonies to clean up toxic waste or are allowed to work at Jezebel's as punishment.
In the days between her visits to the Commander, Offred also learns from her shopping partner, a woman called Ofglen, of the Mayday resistance, an underground network working to overthrow the Republic of Gilead.
Not knowing of Offred's criminal acts with her husband, Serena begins to suspect that the Commander is infertile, and arranges for Offred to begin a covert sexual relationship with Nick, the Commander's personal servant.
After their initial sexual encounter, Offred and Nick begin to meet on their own initiative as well, with Offred discovering that she enjoys these intimate moments despite memories of her husband, and shares potentially dangerous information about her past with him.
However, shortly after, Ofglen disappears reported as a suicide , and Serena finds evidence of the relationship between Offred and the Commander, which causes Offred to contemplate suicide.
Offred tells Nick that she thinks she is pregnant. Shortly afterward, men arrive at the house wearing the uniform of the secret police, the Eyes of God, known informally as "the Eyes", to take her away.
As she is led to a waiting van, Nick tells her to trust him and go with the men. It is unclear whether the men are actually Eyes or members of the Mayday resistance.
Offred is still unsure if Nick is a member of Mayday or an Eye posing as one, and does not know if leaving will result in her escape or her capture.
Ultimately, she enters the van with her future uncertain. The novel concludes with a metafictional epilogue , described as a partial transcript of an international historical association conference taking place in the year The keynote speaker explains that Offred's account of the events of the novel was recorded onto cassette tapes later found and transcribed by historians studying what is then called "the Gilead Period.
Fitting with her statements that The Handmaid's Tale is a work of speculative fiction, not science fiction, Atwood's novel offers a satirical view of various social, political, and religious trends of the United States in the s.
So all of those things are real, and therefore the amount of pure invention is close to nil. Atwood's inspiration for the Republic of Gilead came from her study of early American Puritans while at Harvard, which she attended on a Woodrow Wilson Fellowship.
Atwood, with respect to those leading Gilead, further stated: . I don't consider these people to be Christians because they do not have at the core of their behavior and ideologies what I, in my feeble Canadian way, would consider to be the core of Christianity … and that would be not only love your neighbors but love your enemies.
That would also be 'I was sick and you visited me not' and such and such …And that would include also concern for the environment, because you can't love your neighbor or even your enemy, unless you love your neighbor's oxygen, food, and water.
You can't love your neighbor or your enemy if you're presuming policies that are going to cause those people to die. So faith is a force for good particularly when people are feeling beleaguered and in need of hope.
So you can have bad iterations and you can also have the iteration in which people have got too much power and then start abusing it.
But that is human behavior, so you can't lay it down to religion. You can find the same in any power situation, such as politics or ideologies that purport to be atheist.
Need I mention the former Soviet Union? So it is not a question of religion making people behave badly. It is a question of human beings getting power and then wanting more of it.
In the same vein, Atwood also declared that "In the real world today, some religious groups are leading movements for the protection of vulnerable groups, including women.
In her interviews, Atwood offers up Afghanistan as an example of a religious theocracy forcing women out of the public sphere and into their homes, as in Gilead.
The Republic of Gilead struggles with infertility, making Offred's services as a Handmaid vital to producing children and thus reproducing the society.
Handmaids themselves are "untouchable", but their ability to signify status is equated to that of slaves or servants throughout history.
Atwood's strong stance on environmental issues and their negative consequences for our society has presented itself in other works such as her MaddAddam trilogy, and refers back to her growing up with biologists and her own scientific curiosity.
Offred is the protagonist and narrator who takes the readers through life in Gilead. She was labeled a "wanton woman" when Gilead was established because she had married a man who was divorced.
All divorces were nullified by the new government, meaning her husband was now considered still married to his first wife, making Offred an adulteress.
In trying to escape Gilead, she was separated from her husband and daughter. She is part of the first generation of Gilead's women, those who remember pre-Gilead times.
Proved fertile, she is considered an important commodity and has been placed as a "handmaid" in the home of "the Commander" and his wife Serena Joy, to bear a child for them Serena Joy is believed to be infertile.
Offred is a slave name that describes her function: she is "of Fred" i. In the novel, Offred says that she is not a concubine, but a tool; a "two legged womb".
The Handmaids' names say nothing about who the women really are; their only identity is as the Commander's property. In Atwood's original novel, Offred's real name is never revealed; however, Volker Schlöndorff 's film adaptation gave Offred the real name Kate,  while the television series gave her the real name June.
The women in training to be Handmaids whisper names across their beds at night. The names are "Alma. June," and all are later accounted for except June.
In addition, one of the Aunts tells the handmaids-in-training to stop "mooning and June-ing". As "Mayday" is the name of the Gilead resistance, June could be an invention by the protagonist.
The Nunavut conference covered in the epilogue takes place in June. The Commander says that he was a scientist and was previously involved in something similar to market research before Gilead's inception.
Later, it is hypothesized, but not confirmed, that he might have been one of the architects of the Republic and its laws.
Presumably, his first name is "Fred", though that, too, may be a pseudonym. He engages in forbidden intellectual pursuits with Offred, such as playing Scrabble , and introduces her to a secret club that serves as a brothel for high-ranking officers.
Offred learns that the Commander carried on a similar relationship with his previous handmaid, who later killed herself when his wife found out.
In the epilogue, Professor Peixoto speculates that one of two figures, both instrumental in the establishment of Gilead, may have been the Commander, based on the name "Fred".
It is his belief that the Commander was a man named Frederick R. Waterford who was killed in a purge shortly after Offred was taken away, charged with harbouring an enemy agent.
Serena Joy is a former televangelist and the Commander's wife in the fundamentalist theonomy. The state took away her power and public recognition, and tries to hide her past as a television figure.
Offred identifies Serena Joy by recalling seeing her on TV when she was a little girl early on Saturday mornings while waiting for the cartoons to air.
Believed to be sterile although the suggestion is made that the Commander is sterile, Gileadean laws attribute sterility only to women , she is forced to accept that he has use of a handmaid.
She resents having to take part in "The Ceremony", a monthly fertility ritual. She strikes a deal with Offred to arrange for her to have sex with Nick in order to become pregnant.
According to Professor Pieixoto in the epilogue, "Serena Joy" or "Pam" are pseudonyms; the character's real name is implied to be Thelma.
Ofglen is a neighbour of Offred's and a fellow Handmaid. She is partnered with Offred to do the daily shopping.
Handmaids are never alone and are expected to police each other's behaviour. No Zebra Network - NZN.
Consultado em 5 de julho de The first situates the Gilead regime's quest to control the means of reproduction in the context of an enormous fertility collapse, caused by the combination of environmental catastrophe and rampant S.
Daniel Wickham, ed. Evangelical Focus. The Futon Critic. The Handmaid's Tale Brasil. Screen Crush. Outstanding Lead Actress in a Drama Series.
Outstanding Supporting Actress in a Drama Series. Outstanding Directing for a Drama Series. Outstanding Writing for a Drama Series.
Primetime Creative Arts Emmy Awards. Outstanding Guest Actress in a Drama Series. Alexis Bledel for "Late".
Outstanding Casting for a Drama Series. Outstanding Cinematography for a Single-Camera Series One Hour. Outstanding Production Design for a Narrative Contemporary or Fantasy Program One Hour or More.
Outstanding Special Visual Effects in a Supporting Role. Brendan Taylor, Stephen Lebed, Leo Bovell, Martin O'Brien, Winston Lee, Kelly Knauff, Zach Dembinski, Mike Suta and Cameron Kerr for "Birth Day".
Television Critics Association Awards. Program of the Year. Outstanding Achievement in Drama. Outstanding New Program. Individual Achievement in Drama.
American Film Institute Awards. American Cinema Editors Awards. Julian Clarke and Wendy Hallam Martin for "Offred". Art Directors Guild Awards.
One-Hour Contemporary Single-Camera Series. Casting Society of America. Cinema Audio Society Awards. Outstanding Achievement in Sound Mixing for Television Series — One Hour.
Costume Designers Guild Awards. Excellence in Contemporary Television Series. Critics' Choice Television Awards. Best Drama Series.
Best Actress in a Drama Series. Best Supporting Actress in a Drama Series. Directors Guild of America Awards.
Outstanding Directorial Achievement for a Drama Series. Golden Globe Awards. Best Television Series — Drama. Best Actress — Television Series Drama.
Best Supporting Actress — Series, Miniseries or Television Film. Location Managers Guild Awards. Producers Guild of America Awards.
Outstanding Producer of Episodic Television, Drama. Satellite Awards. Best Supporting Actress in a Series, Miniseries or TV Film. Best New Media Television Series.
Screen Actors Guild Awards. Outstanding Performance by an Ensemble in a Drama Series. Madeline Brewer , Amanda Brugel , Ann Dowd, O. Fagbenle , Joseph Fiennes , Tattiawna Jones , Max Minghella , Elisabeth Moss, Yvonne Strahovski and Samira Wiley.
Outstanding Performance by a Female Actor in a Drama Series. USC Scripter Awards. Bruce Miller and Margaret Atwood for "Offred". Writers Guild of America Awards.
Dramatic Series. Ilene Chaiken, Nina Fiore , Dorothy Fortenberry, Leila Gerstein, John Herrera, Lynn Maxcy, Bruce Miller, Kira Snyder, Wendy Straker Hauser and Eric Tuchman.
New Series. BAFTA Television Awards. Best International Programme. Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker , Sheila Hockin, Eric Tuchman, Kira Snyder, Yahlin Chang, Frank Siracusa, John Weber, Dorothy Fortenberry and Joseph Boccia.
Outstanding Supporting Actor in a Drama Series. Kari Skogland for "After". Cherry Jones for "Baggage". Outstanding Makeup for a Single-Camera Series Non-Prosthetic.
Outstanding Production Design for a Narrative Contemporary Program One Hour or More. Elisabeth Williams, Martha Sparrow and Rob Hepburn for "Seeds", "First Blood", "After".
Outstanding Single-Camera Picture Editing for a Drama Series. Outstanding Sound Mixing for a Comedy or Drama Series One-Hour. Stephen Lebed, Brendan Taylor, Kelly Knauff, Kelly Weisz, Kevin McGeagh, Anderson Leo Bovell, Winston Lee, Xi Luo and Cameron Kerr for "June".
Alexis Bledel, Madeline Brewer, Amanda Brugel, Ann Dowd, O. Fagbenle, Joseph Fiennes, Nina Kiri, Max Minghella, Elisabeth Moss, Yvonne Strahovski, Sydney Sweeney and Bahia Watson.
Outstanding Performance by a Male Actor in a Drama Series. Visual Effects Society Awards. Patrick Zentis, Kevin McGeagh, Leo Bovell and Zachary Dembinski for "June" — Fenway Park.
Yahlin Chang, Nina Fiore , Dorothy Fortenberry, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman.
Episodic Drama. GLAAD Media Awards. Outstanding Guest Actor in a Drama Series. Outstanding Music Composition for a Series Original Dramatic Score.
Sylvain Arseneault, Lou Solakofski, Joe Morrow, Scott Michael Smith, Adam Taylor, Andrea Rusch and Kevin Schultz for "Heroic".
Make-Up Artists and Hair Stylists Guilds. Best Television Series, Mini-Series or New Media Series — Best Contemporary Make-Up.
Best Television Series, Mini-Series or New Media Series — Contemporary Hair Styling. Fagbenle, Joseph Fiennes, Kristen Gutoskie , Nina Kiri , Ashleigh LaThrop, Elisabeth Moss, Yvonne Strahovski, Bahia Watson, Bradley Whitford and Samira Wiley.
American Society of Cinematographers Awards. Marissa Jo Cerar, Yahlin Chang, Nna Fiore , Dorothy Fortenberry, Jacy Heldrich, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder and Eric Tuchman.
Bruce Miller, Warren Littlefield, Elisabeth Moss, Daniel Wilson, Fran Sears, Mike Barker, Eric Tuchman, Sheila Hockin, John Weber, Frank Siracusa, Kira Snyder, Yahlin Chang, Margaret Atwood, Dorothy Fortenberry, Marissa Jo Cerar, Nina Fiore, John Herrera and Kim Todd.
It's slightly different, and relies on a lot of flashbacks like the original narration; however this narration helps to smooth over the cracks nicely.
So it still sticks faithfully to the principles and main events of the story, albeit in a roundabout 'more up to date' way. The subtle creep up and takeover of government and power has been well handled so far.
I am enthralled, totally impressed and on tenterhooks with Bruce Miller's adaption. The direction is also smart, the hanging scene seen from the back of a van was powerful stuff.
Every image is a perfect composition, nothing is wasted, it's real art in the hands of skilled camera operators.
The feminism is subtle, not the clumsy and overt 'all men are bad, all women are good little victims' like of some of the more hardcore feminist literature.
Maggie recognises that some women can be bad too, and some men will die to do the right thing, as you will see.
Her book made a point that this could only happen if most women were willing parties too, and that a 2, year old book of moral tales can hold a massive amount of power when deliberately abused in the wrong hands.
It's also highly commendable that the cast are just 'normal folk', no super skinnies, models, hunks or pretty boys are in sight.
This makes it all the more believable, it could happen to you and me. The lead, 'Offred' Elizabeth Moss absolutely nails it.
No spoilers, but she will impress you with her canny nouse and determination to survive despite many obstacles and traps.
I haven't seen one bad actor in here so far, they've obviously got bags of talent and emotional range. The design and resurrection of 'The Shaker Movement', as in the book, harks back to an American and European age of persecution and religious fervor.
Adhering to Maggie's descriptions of the colour coded dress, the production designer's subtle placement of now highly valuable Shaker furniture here and there helps; the muted drab colours, even in the opulent wealthy homes, take us sub consciously back to the times of Salem, witch trials, mass hysteria and life devoid of 'modern vices' like free speech, self determination, free love and modern relationships.
I can't wait to see how this progress', although I know how it ends can't tell you, but get ready for some shocks! It's been made fresh for me.
I hope you will all love it too. All Titles TV Episodes Celebs Companies Keywords Advanced Search.
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Full Cast and Crew. This is expected to include Elisabeth Moss as June Osborne, Yvonne Strahovski as Serena Joy and Ann Dowd as Aunt Lydia.
Other potential returning cast members include O. Fagbenle as Luke, Alexis Bledel as Emily and Joseph Fiennes as Commander Waterford.
Hulu has confirmed McKenna Grace will be joining the cast as Mrs Keyes, who is a whip-smart wife in the republic of Gilead. WARNING: This section of the article contains spoilers for The Handmaid's Tale season 3.
The next series is likely to pick up on the cliffhanger ending of season three where June played by Elisabeth Moss was swept away by her fellow handmaidens.
The children managed to escape and make the journey to Canada, so we are likely to see more of this in the new season. Tanya Kahana. Joseph Fiennes.
Frank Schaff. Yvonne Strahovski. Aline Staskowiak. Alexis Bledel. Ilona Brokowski. Madeline Brewer. Anna Gamburg. Peggy Sander. Tobias Schmidt. Max Minghella.
Samira Wiley. Anja Stadlober. Amanda Brugel.Eine verheerende nukleare Umweltkatastrophe hat dazu geführt, dass die Mehrheit der Bevölkerung unfruchtbar geworden ist. Eine fundamentalistische Gruppe übernimmt im Rahmen eines Putschs die Macht in den Vereinigten Staaten und entwickelt ein. The Handmaid's Tale – Der Report der Magd (Originaltitel: The Handmaid's Tale) ist eine dystopische US-amerikanische Drama-Fernsehserie, die auf dem im. The Handmaid's Tale: Der Report der Magd [dt./OV] Ich glaube, dass ist die intensivste und vom Stoff her schwierigste Serie, die ich jemals gesehen habe. The Handmaid's Tale – Community. sunny64 am Gei*ste Serie seit langem. Wer MagentaTV hat.