TAG - A High School Splatter Film jetzt legal online anschauen. Der Film ist Originaltitel: Riaru onigokko. TAG - A High Deutsch, Japanisch (OV) HD FSK Tag - A High School Splatter Film ein Film von Sion Sono mit Reina Triendl, Mariko Shinoda. Inhaltsangabe: Eine Riaru Onigokko. Verleiher Splendid Film. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Tag - A High School Splatter Film (OT: Riaru Onigokko | Japan, | Action, Horror.
Tag - A High School Splatter Film - Online schauenTAG - A High School Splatter Film jetzt legal online anschauen. Der Film ist Originaltitel: Riaru onigokko. TAG - A High Deutsch, Japanisch (OV) HD FSK Dieser Artikel:TAG (RIARU ONIGOKKO) - TAG (RIARU ONIGOKKO) (1 DVD) DVD 21,59 €. Nur noch 2 Übersetzen Sie alle Bewertungen auf Deutsch. SDX. Das Urteil fällen entweder die Splatter-Fans oder die deutsche FSK, TAG Originaltitel: Riaru onigokko (Japan ) Regie u. Drehbuch: Sion.
Tag Riaru Onigokko Deutsch Featured channels VideoTAG Riaru Onigokko -- All Death Scenes
Zwischenzeitlich hatten sie Wunschkinder Rtl2 an Felix und Laura Lehmann verloren, die eigene Programme Tag Riaru Onigokko Deutsch. - Tag - A High School Splatter Film Blu-ray PreisvergleichTag Schauspielerinnen und Schauspieler. Zum Start von "Picnic At Hanging Rock": 7 Film- und Serienschulen, bei denen man sich den Besuch zweimal überlegen sollte. Registrieren wenn Sie noch keinen Account hier haben Login wenn Sie bereits einen Account Unknown Identity Trailer.
Film ini bisa saya katakan unik, aneh, atau apapun itu. Jika kalian hanya memnonton nya sekilas, maka sulit untuk mencerna alur ceritanya.
Soalnya film ini justru seolah tidak memilik alur cerita jelas. Secara garis besar, film riaru onigokko sebenarnya bercerita tentang sebuah permain game yang dimainkan oleh seseorang, sehingga alur ceritanya akan melumpat-lumpat dari satu stage ke stage yang lainnya.
Pada bagian pertama bercerita seorang gadis SMA yang kebetulan berada di sebuah bus sekolah yang mengangkut beberapa siswi SMA, cerita horor di mulai saat mitsuko yang sebagai pemain utama menjatuhkan polpen nya ke lantai, sehingga harus menjungkuk kan badan untuk mengambilnya.
Entah ada angin mana dan dari mana asalnya, tiba-tiba angin tersebut mampu memotong bus menjadi dua bagian tepat di tengah, sehingga siswi yang lain kebetulan duduk atau berdiri harus terbunuh dengan rata-rata potos pada kepalanya Hanya mitsuko yang selamat, hingga cerita selanjutnya mitsuko harus berjuang mempertahankan hidup dengan berlari dari ancaman angin gila tersebut.
Di bagian ini tidak akan ada yang istemiwa, namun akan terlihat aneh setelah dengan tiba-tiba mitsuko sudah berada di sebuah sekolah dengan seolah-seolah ada banyak teman satu sekolahnya yang banyak mengenalnya.
Pada bagian ini aku justru berpikir, jangan-jangan ini film tentang seorang anak gadis yang memiliki kelain jiwa dengan tingkat hayalan yang super tinggi.
Sehingga mitsuko banyak berhayal dan halusinasi yang tidak jelas. Arah pemikiran ku justru mengarah ke sana. Di bagian kedua inilah sebenarnya ada titik terang dari apa yang sebenarnya terjadi.
Cerita akan mulai menarik untuk di tebak, apa sebenarnya inti dari cerita film ini. Pada bagian stage kedua inilah mitsuko sebenarnya mendapatkan pencerahan, bahwa sebenarnya kehidupan yang mereka jalani hanyalah ilusi, bukan kehidupan nyata yang sesungguhnya.
Bahkan seorang teman mitsuko sendiri yang bernama sure sudah memberikan sebuah tanda-tanda atau gambaran tentang apa yang seharusnya di lakukan oleh mitsuko.
Kalau aku ceritakan justru sebenarnya membuatnya nggak asik, tapi tak apalah karena tulisan ini hanya sekedar menjelaskan apa yang aku pikirkan tentang film bernada horor asal jepang tersebut.
After being teased for wriitng a poem, she picks up the pen off of the floor, dusts it off, and then is just about to return back up when she realises her entire bus had been sliced in half, with all of the students now dead as their upper extremeties had been cut off by a supernatural wind.
This signifies the beginning of a mind-twisting and reality-bending storyline that this very film follows This is just my intepretation combined with another folk's one on Youtube named Russel Fortell.
But throughout the film, we see such tragic events happen to those who the main character dearly loves, aswell as her identity being changed to represent her growing up Keiko represents the pressure of getting married by society, and Izumi representing the ongoing marathon that is life.
Mitsuko represents our childhood; the bus scene represents our innocence being lost after being first exposed to the harsh reality of the real world, and the other scenes representing something else that's also deep.
The ending shows that despite the world being so callous and vindictive, she continues to leave marks foot-prints as a sign of her innocence and that she used to live life proudly.
This film has such huge amounts of depth despite being a horror movie most horror movies kinda don't seem to cram as much metaphors and symbolism into the storyline as much as this one , and it almost seems Tag is a movie that might give you a sense of horror, confusion, euphoria, and a hypnosis-like state.
Those who have hated the film must've not fully grasped how extremely radical this flick is in, well, just about almost anything about it which I do get because this is a movie that's out of the norm.
There's also some feminist metaphors throughout the movie aswell, which I thought was pretty interesting to note about.
But overall? This movie is a literal daymare frenzy turned into such a surrealistic masterpiece that will probably require you to go insane. Do take note that the visual effects may not be as good as the typical high budget hollywood movie possibly due to the budget and production, but that is fine, because as long as the storyline has that light and shine, then that can still qualify as a good movie.
Deranged genius Sion Sono may have actually surpassed Takashi Miike as the filmmaker who deals in the most unconventional insanity. Miike seems to have gone more straight - though no less brilliant - with some of his recent movies, but Sion Sono certainly hasn't.
Take "Tag" for example. Nothing happens in this movie that you can predict; it has one of the most shocking first scenes I have ever seen in a movie.
The violence and bloodshed is extraordinary throughout, and always surprising. And I still struggle to say what the movie is actually about.
I knew nothing going into it, and I think that was the best way. Suffice to say it messes with your head in a way that approaches David Lynch's oeuvre.
A Saoirse Ronan-like The Lovely Bones, Japanese lead finds herself and brings the audience into a bizarre often violent Japanese world of changing identities and challenges.
The confusing and oftentimes perplexing circumstances that confronts Reina Triendl as Mitsuko actually becomes very clear towards the end of the movie.
It's hard to judge this somewhat dark Japanese import because at times it just seems a disjointed mess of violent scenes without any direction, without any meaning, or purpose kind such as M.
Night Shyamalan less than well received The Happening or the better received performance of Jim Carrey's dream sequence from Eternal Sunshine of the Spotless Mind Yet the underlying premise of this movie allows the unfolding scenes to be vividly and surrealistically well done in an almost David Lynch way.
The weird and eerie off-balancing atmosphere of the entire movie give it an almost ominous tone during everyday ordinary activities and experiences that just heightens the sensations of horror.
John Carpenter's The Thing was very effective in putting its audience on edge as well as Stephen King's The Langoliers , TV. The in some ways has the similar darker emotive tone of John Cusack's or Radha Mitchell's Silent Hill This identity twister has elements from Oblivion , The Thirteenth Floor , Dark City , and even The Matrix and as topsy turvy and craziness of Kurt Vonnegut's Slaughter-House Five or the classic Brazil For something less dark, one might want to consider roughly similar experiences found in Dramaworld , TV or Frequently Asked Questions About Time Travel or even Congress which might be considered even more weird and out there than Tag.
Other mind-twisting movies to consider include Carnival of Souls , Cypher , Slipstream , Colossal and, of course, Inception Japan, such a wonderful country with a rich history, makes some of the most absurdist movies on the planet.
There are some movies so wild you start to think, "What magical drugs do they have there that causes people to come up with this stuff? While some of the movies are creative and entertaining, being weird for weird's sake isn't always a good thing.
That's where TAG comes in. It's weird, but not in a good way. Let me explain The movie starts out AMAZINGLY. Girl is on a field trip, riding a bus with her classmates, when an invisible force slices the bus in half laterally, taking the lives of everyone on it except the main character.
This happens in the first 10 minutes of the movie. The level of gore and depravity involved in this is commendable and I thought, "This movie is going to be great!
This is going to be an awesome movie! Man, was I WRONG. The invisible force was around for those 10 minutes and it never shows up again.
Instead, we get a series of "alternate universes", each weirder than the next. There are only females in this movie, so everything that happens comes off as a middle school kids daydream playbook.
Panty shots of High School aged girls? Women in scantily clad underwear? Girls fighting each other and killing each other in brutal ways?
A dude in a pig mask? Check It's like a child was asked "What type of movie to do you want to see? Pig man!
Absolutely tragic that someone thought that this would be appropriate for a feature length film, but here we are.
It's to serious to be a comedy, not scary enough to be a horror film, not sad enough to be a drama, and definitely not enjoyable enough to be a full movie, so what gives?
It's absurdist cinema with a low budget and not enough creative reigning in. This movie needed quality control, it desperately needed and editor, and it most assuredly needed to be screened a lot before it was released.
There is no audience in the world that would find this movie enjoyable as a whole, although certain parts are so wild that they almost make up for the failure that is the rest of the film.
Look, I love absurdist cinema and I would enjoy it more if it tried to be absurdist. Instead, we get a movie that IS absurdist, but takes itself WAYYYY too seriously.
I wouldn't recommend this movie to ANYONE, except those that want to test their patience for weird, drug-induced nonsense. Otakore 30 November I discovered this film from a Humour site who posted a sample video of this film.
It made me curious to watch this film because of the cute chick plus the gory scene in the trailer.
The story is kind of deep. Release date. Running time. Twitch Film. Retrieved June 5, Natalie in Japanese. Retrieved Rotten Tomatoes.
Retrieved July 9, Retrieved February 15, The Hollywood Reporter. Film poster. Digital Entertainment World - Lifestyle. Katy Perry Jokes She'll Be the Good Cop and Orlando Bloom Will Be the Bad Cop to Their Daughter.
Best Hits Of Madhuri Dixit Top 10 Madhuri Dixit Hits Evergreen Hindi Songs Hum Aapke Hain Koun. Tamil New Full Movie - Love - New Tamil Romantic Movies [HD].